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CVP Large Format Test with ARRI Shimano Bantam Baitcasting Model 170H casting rod F S from JapanCVP recently hosted a Large Format event in collaboration with ARRI at the CVP & ARRI Creative Space. The CVP team set up a test with the ALEXA LF, ALEXA Mini (fitted with LPL mount) and ARRI Signature primes. The lenses were 18, 25, 35, 47, 75 and 125 mm. The event was overseen by CVP Account Manager Aaron George, who prior to joining CVP in 2017, spent almost 12 years at ARRI as UK Head of Camera Service. Daiwa 14 Presso 2025C spinning reel F S from Japan
Blackmagic Pocket Cinema Camera 4K & RAWBlackmagic Camera 6.2 update eanbles Blackmagic RAW in the Blackmagic Pocket Cinema Camera 4K. The Pocket Cinema Camera 4K has a Micro Four Thirds (MFT) size 18.96 x 10 mm sensor. The lens mount has a Flange Focal Depth of 19.25mm and its inside diameter is nominally 40.2 mm Ø. Blackmagic RAW is a new codec that combines the quality and benefits of RAW with the ease of use, speed and file sizes of traditional video formats. File sizes are smaller, which means recording time is longer. You’ll be able to record 2 hours of Blackmagic RAW in 4K on a single 256GB SD UHS-II card. read more...

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C’est Cannes 2019 The 72nd Festival de Cannes is now open. Follow the 12 days of Cannes on the official Festival website. The Cannes 2019 poster celebrates filmmaker Agnès Varda. If anyone knows the name of the camera assistant or grip whose back she’s standing on, please contact FDTimes. It was August 1954 and, as the official Cannes press release describes, she was filming... Abu Garcia Bait Reel AMB.REVO MGX-SHS-L
SIGMA Burbank Studio Orvis Mirage III Large Arbor Fly Reel - Midnight - NEW - FREE DOMESTIC SHIPPING Sigma recently opened a new 10,000 sq. ft. studio, showroom, screening room, lens repair shop and office facility. And, at NAB 2019, Sigma showed three new high-speed Full Frame cine prime lenses: 28mm T1.5 FF, 40mm T1.5 FF and 105mm T1.5 FF. This brings the total count of Sigma cine lenses to 13: FF Zoom, High-Speed Zoom and FF High-Speed Primes. They have PL, E and EF mounts. LF to come. Deps Rod Baitcast Sidewinder HGCS-68MHR The Boom Slang (0205)
SHIMANO Reel 17 EXISSE DC XG RIGHT from japan F S SHIMANO 18 OCEA CONQUEST CT 301PG Left - Free Shipping from JapanVENICE at 120 fps in 4K 2.39:1, 60 fps in 6K 3:2 Full Frame and lots more...Sony VENICE continues to catch the attention and imagination of filmmakers worldwide. It is working on many features, commercials and television productions. Full Frame is gaining traction as almost every lens manufacturer rolls out an increasing number of Full Frame lenses. With Version 4.0, you can purchase an optional HFR license (High Frame Rate) that takes VENICE up to 120 fps in 4K Super35 2.39:1 (4096 x 1713) and 60 fps in 6K Full Frame 3:2 (6048 x 4032). read more...

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April 2019: Issue 93-94

Hi-rez 112-page printable 26 MB PDF download for subscribers. Click below on SUBSCRIBERS

Free, limited time preview, 112-page download, lower rez, 13 MB PDF. Click below on FREE PREVIEW.

(Best with Adobe Acrobat Reader, 2-page view, show cover page.)

The Year of Full Frame/LF/VV
ARRI ALEXA Mini LF
Canon Sumire Prime Lenses
LEITZ PRIME & LEITZ ZOOM Debut
Dr. Aurelian Dodoc on LEITZ Design
Shot on Cooke
Serguei Saldívar, AMC
Fujinon Premista Large Format Zoom
AbelCine Accelerator Program
Don Burgess, ASC, Camera Owner
Ben Richardson on Yellowstone
Band Pro Optical Department
Teradek 4K Wireless Video
SmallHD FOCUS 7 Monitor
DJI Master Wheels
Blackmagic RAW
Blackmagic URSA Mini Pro 4.6K G2
and lots more

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Jon Fauer, ASC is an award-winning cinematographer and director who has written 12 bestselling books, famous for their user-friendly way of explaining things as if you’re right there on location with him.

Cannes 2016

Over 120,000 of his books on cameras, cinematography, film and digital video have been printed. Think of this bimonthly Journal as Fauer’s next book — arriving a year early, with up-to-the minute information brought to you in episodic format.

More About Jon Fauer

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Jon Fauer’s Film and Digital Times is published on paper, online and on iPad roughly every two months. Depending on events, introductions and technological breakthroughs, we sometimes combine issues into larger editions. Join us for the adventure and subscribe online. We talk about products and procedures in practical production—here’s the job at hand: how do we use tools and techniques to get the results we want? Film and Digital Times is an inside-the-industry look at the nuts and bolts of high-end prodcution: how-to and how not to, technique and technology, style and strategies, tips and trends for Cinematographers, Directors, Producers, Rental Houses, Manufacturers, Camera Assistants, Camera Operators, Photographers, Videographers, Gaffers, Grips, Students, and Faculty.

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FDTimes is the premiere technical journal for the industry.
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—Les Zellan, Chairman, Cooke Optics and ZGC

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Want to know more about motion picture equipment? You’ve come to the right place.
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—Iain A. Neil, President, ScotOptix

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Just read your latest issue and I found it so facinating and well written. It was some of the best cinematography writing in recent history. Thank you.
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—Peter Lyons Collister, ASC

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